{"id":1089,"date":"2008-02-23T00:35:45","date_gmt":"2008-02-23T06:35:45","guid":{"rendered":"http:\/\/webadedios.net\/modules\/wordpress\/archives\/premios-oscar-2008-pronosticos"},"modified":"2008-02-26T16:51:21","modified_gmt":"2008-02-26T22:51:21","slug":"premios-oscar-2008-pronosticos","status":"publish","type":"post","link":"https:\/\/webadedios.com\/blog\/2008\/cinefilia\/premios-oscar-2008-pronosticos\/","title":{"rendered":"Premios Oscar 2008 (pron\u00f3sticos)"},"content":{"rendered":"

Premios de la Academia otorgados por la Academy of Motion Picture Arts and Sciences (\u00abAMPAS\u00bb)<\/em> que se entregar\u00e1n el d\u00eda 24 de febrero de 2008 (veinticuatro de febrero de dos mil ocho) a partir de las 19:00 horas.<\/p>\n

\"oscar\"<\/p>\n

Mejor Pel\u00edcula:<\/strong><\/span> \u00abThere Will be Blood\u00bb (Dir. Paul Thomas Anderson)<\/p>\n

\u00abNo Country for Old Men\u00bb (Dir. Joel y Ethan Coen)
\n\u00abThere Will be Blood\u00bb (Dir. Paul Thomas Anderson)
\n\u00abJuno\u00bb (Dir. Jason Reitman)
\n\u00abMichael Clayton\u00bb (Dir. Tony Gilroy)
\n\u00abAtonement\u00bb (Dir. Joe Wright)<\/p>\n

Mejor Director: <\/strong><\/span>Paul Thomas Anderson (por \u00abThere Will Be Blood\u00bb)<\/span><\/p>\n

Paul Thomas Anderson (por \u00abThere Will Be Blood\u00bb)
\nEthan Coen y Joel Coen (por \u00abNo Country for Old Men\u00bb)
\nTony Gilroy (por \u00abMichael Clayton\u00bb)
\nJason Reitman (por \u00abJuno\u00bb)
\nJulian Schnabel (por \u00abThe Diving Bell and the Butterfly\u00bb) <\/span><\/p>\n

Mejor Actor: <\/strong><\/span>Daniel Day-Lewis (en \u00abThere Will Be Blood\u00bb)<\/span><\/p>\n

George Clooney (en \u00abMichael Clayton\u00bb)
\nDaniel Day-Lewis (en \u00abThere Will Be Blood\u00bb)
\nJohnny Depp (en \u00abSweeney Todd: The Demon Barber of Fleet Street\u00bb)
\nViggo Mortensen (en \u00abEastern Promises\u00bb)
\nTommy Lee Jones (en \u00abIn the Valley of Elah\u00bb <\/span><\/p>\n

Mejor Actriz: <\/strong><\/span>Ellen Page (en \u00abJuno\u00bb)<\/span><\/p>\n

Cate Blanchett (en \u00abElizabeth: The Golden Age\u00bb)
\nJulie Christie (en \u00abAway From Her\u00bb)
\nMarion Cotillard (en \u00abLa Vie En Rose\u00bb)
\nLaura Linney (en \u00abThe Savages\u00bb)
\nEllen Page (en \u00abJuno\u00bb) <\/span><\/p>\n

Mejor Actor de Reparto: <\/strong><\/span>Javier Bardem (en \u00abNo Country for Old Men\u00bb)<\/span><\/p>\n

Javier Bardem (en \u00abNo Country for Old Men\u00bb)
\nCasey Affleck (en \u00abThe Assassination of Jesse James by the Coward Robert Ford\u00bb)
\nPhilip Seymour Hoffman (en \u00abCharlie Wilson’s War\u00bb)
\nHal Holbrook (en \u00abInto the Wild\u00bb)
\nTom Wilkinson (en \u00abMichael Clayton\u00bb) <\/span><\/p>\n

Mejor Actriz de Reparto: <\/strong><\/span>Amy Ryan (en \u00abGone Baby Gone\u00bb)<\/span><\/p>\n

Cate Blanchett (en \u00abI’m Not There\u00bb)
\nRuby Dee (en \u00abAmerican Gangster\u00bb)
\nSaoirse Ronan (en \u00abAtonement\u00bb)
\nAmy Ryan (en \u00abGone Baby Gone\u00bb)
\nTilda Swinton (en \u00abMichael Clayton\u00bb) <\/span><\/p>\n

Mejor Pel\u00edcula Extranjera: <\/strong><\/span>\u00abDie F\u00e4lscher\u00bb (\u00abLos falsificadores\u00bb, Dir. Stefan Ruzowitzky, Austria)<\/span><\/p>\n

\u00abDie F\u00e4lscher\u00bb (\u00abLos falsificadores\u00bb, Dir. Stefan Ruzowitzky, Austria)
\n\u00abBeaufort\u00bb (Dir. Joseph Cedar, Israel)
\n\u00abKatyn\u00bb (Dir. Andrzej Wajda, Polonia)
\n\u00abMongol\u00bb (Dir. Sergei Bodrov, Kazajst\u00e1n)
\n\u00ab12\u00bb (Dir. Nikita Mijalkov, Rusia) <\/span><\/p>\n

Mejor Pel\u00edcula Animada: <\/strong><\/span>\u00abRatatouille\u00bb (Dir. Brad Bird y Jan Pinkava)<\/span><\/p>\n

\u00abPersepolis\u00bb (Dir. Vincent Paronnaud y Marjane Satrapi)
\n\u00abRatatouille\u00bb (Dir. Brad Bird y Jan Pinkava)
\n\u00abSurf’s Up\u00bb (Dir. Ash Brannon y Chris Buck) <\/span><\/p>\n

Mejor Corto Animado: <\/strong><\/span>\u00abM\u00eame Les Pigeons Vont au Paradis\u00bb<\/span><\/p>\n

\u00abI Met the Walrus\u00bb
\n\u00abMadame Tutli-Putli\u00bb
\n\u00abM\u00eame Les Pigeons Vont au Paradis\u00bb
\n\u00abMoya Lyubov\u00bb
\n\u00abPeter & the Wolf\u00bb <\/span><\/p>\n

Mejor Cortometraje: <\/strong><\/span>\u00abLe Mozart des Pickpockets\u00bb<\/span><\/p>\n

\u00abAt Night\u00bb
\n\u00abIl Supplente\u00bb
\n\u00abLe Mozart des Pickpockets\u00bb
\n\u00abTanghi Argentini\u00bb
\n\u00abThe Tonto Woman\u00bb <\/span><\/p>\n

Mejor Gui\u00f3n Adaptado: <\/strong><\/span>\u00abThe Diving Bell and the Butterfly\u00bb (Ronald Harwood)<\/span><\/p>\n

\u00abAtonement\u00bb (Christopher Hampton)
\n\u00abAway from Her\u00bb (Sarah Polley)
\n\u00abThe Diving Bell and the Butterfly\u00bb (Ronald Harwood)
\n\u00abNo Country for Old Men\u00bb (Joel Coen y Ethan Coen)
\n\u00abThere Will Be Blood\u00bb (Paul Thomas Anderson) <\/span><\/p>\n

Mejor Gui\u00f3n Original: <\/strong><\/span>\u00abJuno\u00bb (Diablo Cody)<\/span><\/p>\n

\u00abJuno\u00bb (Diablo Cody)
\n\u00abLars and the Real Girl\u00bb (Nancy Oliver)
\n\u00abMichael Clayton\u00bb (Tony Gilroy)
\n\u00abRatatouille\u00bb (Brad Bird, Jan Pinkava y Jim Capobianco)
\n\u00abThe Savages\u00bb (Tamara Jenkins) <\/span><\/p>\n

Mejor M\u00fasica Original: <\/strong><\/span>\u00abAtonement\u00bb (Dario Marianelli)<\/span><\/p>\n

\u00abAtonement\u00bb (Dario Marianelli)
\n\u00abThe Kite Runner\u00bb (Alberto Iglesias)
\n\u00abMichael Clayton\u00bb (James Newton Howard)
\n\u00abRatatouille\u00bb (Michael Giacchino)
\n\u00ab3:10 to Yuma\u00bb (Marco Beltrami) <\/span><\/p>\n

Mejor Canci\u00f3n: <\/strong><\/span>\u00abThat’s How You Know\u00bb (de \u00abEnchanted\u00bb, Alan Menken y Stephen Schwartz)<\/span><\/p>\n

\u00abFalling Slowly\u00bb (de \u00abOnce\u00bb, Glen Hansard y Marketa Irglova)
\n\u00abHappy Working Song\u00bb (de \u00abEnchanted\u00bb, Alan Menken y Stephen Schwartz)
\n\u00abRaise It Up\u00bb (de \u00abAugust Rush\u00bb)
\n\u00abSo Close\u00bb (de \u00abEnchanted\u00bb, Alan Menken and Stephen Schwartz)
\n\u00abThat’s How You Know\u00bb (de \u00abEnchanted\u00bb, Alan Menken y Stephen Schwartz) <\/span><\/p>\n

Mejor Documental: <\/strong><\/span>\u00abSicko\u00bb (Dir. Michael Moore)<\/span><\/p>\n

\u00abNo End in Sight\u00bb (Dir. Charles Ferguson)
\n\u00abOperation Homecoming: Writing the Wartime Experience\u00bb (Dir. Richard Robbins)
\n\u00abSicko\u00bb (Dir. Michael Moore)
\n\u00abTaxi to the Dark Side\u00bb (Alex Gibney)
\n\u00abWar\/Dance\u00bb (Dir. Sean Fine y Andrea Nix) <\/span><\/p>\n

Mejor Documental Corto: <\/strong><\/span>\u00abLa Corona (Dir. Isabel Vega y Amanda Micheli)<\/span><\/p>\n

\u00abFreeheld\u00bb (Dir. Cynthia Wade)
\n\u00abLa Corona (Dir. Isabel Vega y Amanda Micheli)
\n\u00abSalim Baba\u00bb (Dir. Tim Sternberg)
\n\u00abSari’s Mother\u00bb (Dir. James Longley) <\/span><\/p>\n

Mejores Efectos Visuales: <\/strong><\/span>\u00abThe Golden Compass\u00bb<\/span><\/p>\n

\u00abThe Golden Compass\u00bb
\n\u00abPirates of the Caribbean: At World’s End\u00bb
\n\u00abTransformers\u00bb <\/span><\/p>\n

Mejor Cinematograf\u00eda: <\/strong><\/span>\u00abNo Country for Old Men\u00bb<\/span><\/p>\n

\u00abThe Assassination of Jesse James by the Coward Robert Ford\u00bb
\n\u00abAtonement\u00bb
\n\u00abThe Diving Bell and the Butterfly\u00bb
\n\u00abNo Country for Old Men\u00bb
\n\u00abThere Will Be Blood\u00bb <\/span><\/p>\n

Mejor Direcci\u00f3n de Arte: <\/strong><\/span>\u00abSweeney Todd the Demon Barber of Fleet Street\u00bb<\/span><\/p>\n

\u00abAmerican Gangster\u00bb
\n\u00abAtonement\u00bb
\n\u00abThe Golden Compass\u00bb
\n\u00abSweeney Todd the Demon Barber of Fleet Street\u00bb
\n\u00abThere Will Be Blood\u00bb <\/span><\/p>\n

Mejor Vestuario: <\/strong><\/span>\u00abSweeney Todd the Demon Barber of Fleet Street\u00bb<\/span><\/p>\n

\u00abAcross the Universe\u00bb
\n\u00abAtonement\u00bb
\n\u00abElizabeth: The Golden Age\u00bb
\n\u00abLa Vie en Rose\u00bb
\n\u00abSweeney Todd the Demon Barber of Fleet Street\u00bb <\/span><\/p>\n

Mejor Maquillaje: <\/strong><\/span>\u00abNorbit\u00bb<\/span><\/p>\n

\u00abLa Vie en Rose\u00bb
\n\u00abNorbit\u00bb
\n\u00abPirates of the Caribbean: At World’s End\u00bb <\/span><\/p>\n

Mejor Mezcla de Sonido: <\/strong><\/span>\u00abNo Country for Old Men\u00bb<\/span><\/p>\n

\u00abThe Bourne Ultimatum\u00bb
\n\u00abNo Country for Old Men\u00bb
\n\u00abRatatouille\u00bb
\n\u00ab3:10 to Yuma\u00bb
\n\u00abTransformers\u00bb <\/span><\/p>\n

Mejor Edici\u00f3n de Sonido: <\/strong><\/span>\u00abNo Country for Old Men\u00bb<\/span><\/p>\n

\u00abThe Bourne Ultimatum\u00bb
\n\u00abNo Country for Old Men\u00bb
\n\u00abRatatouille\u00bb
\n\u00abThere Will Be Blood\u00bb
\n\u00abTransformers\u00bb <\/span><\/p>\n

Mejor Edici\u00f3n: <\/strong><\/span>\u00abThere Will Be Blood\u00bb<\/span><\/p>\n

\u00abThe Bourne Ultimatum\u00bb
\n\u00abThe Diving Bell and the Butterfly\u00bb
\n\u00abInto the Wild\u00bb
\n\u00abNo Country for Old Men
\n\u00abThere Will Be Blood\u00bb <\/span><\/p>\n


\n<\/span> Estas son mis favoritas y lo que yo creo<\/p>\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Premios de la Academia otorgados por la Academy of Motion Picture Arts and Sciences (\u00abAMPAS\u00bb) que se entregar\u00e1n el d\u00eda 24 de febrero de 2008 (veinticuatro de febrero de dos mil ocho) a partir de las 19:00 horas. Mejor Pel\u00edcula: \u00abThere Will be Blood\u00bb (Dir. Paul Thomas Anderson) \u00abNo Country for Old Men\u00bb (Dir. Joel […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[38,53],"class_list":["post-1089","post","type-post","status-publish","format-standard","hentry","category-cinefilia","tag-cine","tag-musica"],"_links":{"self":[{"href":"https:\/\/webadedios.com\/blog\/wp-json\/wp\/v2\/posts\/1089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/webadedios.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/webadedios.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/webadedios.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/webadedios.com\/blog\/wp-json\/wp\/v2\/comments?post=1089"}],"version-history":[{"count":0,"href":"https:\/\/webadedios.com\/blog\/wp-json\/wp\/v2\/posts\/1089\/revisions"}],"wp:attachment":[{"href":"https:\/\/webadedios.com\/blog\/wp-json\/wp\/v2\/media?parent=1089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/webadedios.com\/blog\/wp-json\/wp\/v2\/categories?post=1089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/webadedios.com\/blog\/wp-json\/wp\/v2\/tags?post=1089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}